Shooting Movies Without Shooting Yourself in the Foot Becoming a Cinematographer 1st Edition by Jack Anderson 9780240814940 0240814940
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Product details:
ISBN 10: 0240814940
ISBN 13: 9780240814940
Author: Jack Anderson
Shooting Movies is the book for all those film enthusiasts who can’t get on a professional set or can’t undertake studies at an expensive film school. This book approaches the subject of cinematography from a ‘hands-on, in the trenches’ viewpoint, as though the reader were an apprentice on the set. It’s a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It’s a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes. This title provides a mentorship-in-a-book approach not found any of the other technical guides to cinematography, using both film and video exercises. It is written for filmmakers working on a budget. Unique exercises throughout the book provide the reader with an interactive experience that will give them a higher level of expertise and will improve the quality of their shooting, lighting, and reel – all on a budget. It helps you learn the realty of filmmaking from the cinematographer’s perspective. Companion website showcases video samples, visual demonstrations of the exercises in the book, and further video explanations of the concepts that are better explained visually.
Table of contents:
Chapter 1 Introduction
Part 1 Realities: Preproduction
Chapter 2 What’s First?
Chapter 3 We’re Still Reading the Script
Chapter 4 A Few More Things to Think About
Chapter 5 The Shot List
Chapter 6 The Crew
Chapter 7 The Location
Chapter 8 Selecting a Camera
Chapter 9 Selecting Lenses
Chapter 10 Selecting Film Stock
Chapter 11 Selecting a Tripod and Head
Chapter 12 What Everyone Else Is Doing to Prepare
Chapter 13 The Night Before
Part 2 Realities: Production
Chapter 14 On Time and Ready to Shoot
Chapter 15 First Day/First Shot
Chapter 16 Shooting Masters
Chapter 17 Close-Ups and Coverage
Chapter 18 Operating the Camera
Chapter 19 Still More Composition, or Follow the Money
Chapter 20 The Horror of the 180-Degree Line
Chapter 21 The Good, the Bad, and the Ugly (But Not Necessarily in That Order)
Chapter 22 Learning the Hardware
Chapter 23 Why We Light
Chapter 24 Exposure
Chapter 25 Exercise: Shooting Your Project on Film
Part 3 Realities: Postproduction
Chapter 26 Postproduction: Timing and Transferring
Chapter 27 Postproduction: Putting Together a Reel
Part 4 Technicalities
Chapter 28 Cameras: Black Boxes
Chapter 29 Lenses
Chapter 30 The Zen of Focusing
Chapter 31 The Magic of Filters
Chapter 32 Film
Chapter 33 Color Temperature
Chapter 34 Using and Handling Film Cameras and Lenses
Chapter 35 Using a Tripod and Head
Chapter 36 The Dolly Grip
Chapter 37 Laboratory and Postproduction Processes
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Tags: Jack Anderson, Shooting, Movies, Yourself