The Routledge Companion to Cultural Property 1st Edition by Jane Anderson, Haidy Geismar 1317278798 9781317278795

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ISBN 10: 1317278798
ISBN 13: 9781317278795
Author: Jane Anderson, Haidy Geismar 

The Routledge Companion to Cultural Property contains new contributions from scholars working at the cutting edge of cultural property studies, bringing together diverse academic and professional perspectives to develop a coherent overview of this field of enquiry. The global range of authors use international case studies to encourage a comparative understanding of how cultural property has emerged in different parts of the world and continues to frame vital issues of national sovereignty, the free market, international law, and cultural heritage. Sections explore how cultural property is scaled to the state and the market; cultural property as law; cultural property and cultural rights; and emerging forms of cultural property, from yoga to the national archive. By bringing together disciplinary perspectives from anthropology, archaeology, law, Indigenous studies, history, folklore studies, and policy, this volume facilitates fresh debate and broadens our understanding of this issue of growing importance. This comprehensive and coherent statement of cultural property issues will be of great interest to cultural sector professionals and policy makers, as well as students and academic researchers engaged with cultural property in a variety of disciplines.

The Routledge Companion to Cultural Property 1st Table of contents:

1. Introduction
The many faces of cultural property
Genealogies of cultural property
Cultural property as political theory
The nation and other collectives
Codifying cultural property
From the Hague to UNESCO
Cultural property and intellectual property
Cultural property and the market
Disciplinary engagements as sites of meaning
The museum life of cultural property
Cultural property into the future
Acknowledgements
Bibliography

PART I: Legal ordering of cultural property
2. Heritage vs. property: Contrasting regimes and rationalities in the patrimonial field
Nominalism
Cultural property as a technology of sovereignty
Cultural heritage as a technology of reformation
Different patrimonialities
Bibliography

3. The criminalisation of the illicit trade in cultural property
Introduction
Lessons from the 1930s and Second World War
Iraq, Afghanistan and Syria: illicit traffic in the twenty-first century
Conclusion
Notes
Bibliography

4. Implementation of the 1970 UNESCO Convention by the United States and other market nations
Introduction
Implementation by the United States
Implementation by other market countries
Conclusion
Notes
Bibliography

5. Protection not prevention: The failure of public policy to prevent the looting and illegal trade of cultural property from the MENA region (1990–2015)
Introduction
Cultural property protection policy failure
Cultural property protection policy instruments and actions
The criminalization of the illegal trade in cultural property
The securitization of the illegal trade in cultural objects
The endgame: Daesh and the destruction of cultural property
Conclusion: Policy and policy making
Acknowledgements
Notes
Bibliography

6. A paradox of cultural property: NAGPRA and (dis)possession
NAGPRA: A national attempt to address Indigenous cultural dispossession
NAGPRA in action
Key concepts in the law
Legislative history: Negotiation and compromise
Indigenous perspectives
Conclusion
Notes
Bibliography

PART II: Museums, archives and communities
7. NAGPRA, CUI and institutional will
Introduction
A brief overview of NAGPRA
Defining “CUI” ancestors
Institutional will and retentive philosophy: Examples from Indian Country
Impediments and best practices
Concluding remarks
Notes
Bibliography

8. Betting on the raven: Ethical relationality and Nuxalk cultural property
Section one: The wager of the Nuxalk raven forehead mask
Changing relations between Indigenous people and museums
Section two: Resetting relations
Postscript
Acknowledgments
Notes
Bibliography
Personal communications

9. Whose story is this? Complexities and complicities of using archival footage
Introduction
Commonwealth film
Stage 1: Self-determination and rights in representation
Retake: Engaging in repatriation
How to mobilize an archive
Is there a film?
Making the film: Collaboration in principle and practice
Circulation: Authors and other owners
Screenings
Memories
Conclusion
Acknowledgements
Notes
Bibliography
Filmography

10. The archive of the archive: The secret history of the Laura Boulton Collection
Introduction
The archive of the archive: Documenting the documentarians
The courtship of Laura Boulton
After 1965: Determining the meaning of ownership
After Boulton: The Indiana Agreement and the end of ownership
Conclusion
Acknowledgments
Notes
Bibliography

11. Touching the intangible: Reconsidering material culture in the realm of Indigenous cultural property research
Introduction
Heritage as material bound
When cultural property is immaterial
Challenges associated with Indigenous cultural property
Good practices with (other people’s) cultural property
Not unwrapping the sacred bundle
Conclusions
Acknowledgements
Notes
References

PART III: Local histories
12. On the nature of Patrimonio: “Cultural property” in Mexican contexts
Introduction
How pre-Hispanic remains became the “cultural” property of the nation
Who owns Mexico’s ancient past?
Making patrimonio in Coatlinchan
Material ecologies of patrimonio
Conclusions
Acknowledgements
Notes
Bibliography

13. Making and unmaking heritage value in China
Making heritage value
Making, remaking and collecting material heritage
Collecting practice as self-cultivation
The history of collecting and the concept of wenwu
The art market and private museum boom in contemporary China
Collecting practices as a symbol of taste and class in contemporary China
Collection, collecting and collectors
Concluding remarks
Acknowledgements
Notes
Bibliography

14. Object movement: UNESCO, language, and the exchange of Middle Eastern artifacts
The language of UNESCO and movement
Object movement: Bab adh Dhra’, Jordan
To move or not to move: Cultural internationalists and cultural nationalists
How objects move
Object movement: The legal market for antiquities in Israel
Moving objects, language, and UNESCO
Acknowledgements
Bibliography

15. Cultures of property: African cultures in intellectual and cultural property regimes
Introduction
Colonial orders in the postcolonial age
The intellectual terra nullius
Global economic power in the age of information
Cultural property: Alternative or backwater?
Cultures of property in Ghanaian intellectual and cultural property laws and policies
Conclusion
Note
Bibliography

PART IV: Cultural property beyond the state
16. Culture as a flexible concept for the legitimation of policies in the European Union
Introduction
Dimensions of legitimation
Between unity and diversity
Cooperation and mutual understanding
Common heritage as enabler of national cultural sovereignty
Culture and economic policies
Culture as “soft power”
Conclusion: Flexible culture, cultural property, and the EU
Acknowledgements
Notes
Bibliography

17. The Bible as cultural property? A cautionary tale
Introduction
Many types of “traditional knowledge” or only one?
The danger of an authorized version
Acknowledgments
Notes
Bibliography

18. Being pre-Indigenous: Kin accountability beyond tradition
Being Native
Being Māori
Being Iwi
Being Indigenous
Being pre-Indigenous
Acknowledgements
Note
Bibliography

19. Frontiers of cultural property in the global south
Introduction: Political economies and political ecologies of cultural properties
Neoliberal governmentalities and cultural communities
Property and personhood at the intersection of globalization and autonomy
Environmental conservation and the “biocultural turn” in heritage management
Protecting possessive attachments: Legal pluralism and new ontologies of property
Conclusion
Acknowledgments
Bibliography

PART V: New and experimental forms of cultural property
20. Who owns yoga?: Transforming traditions as cultural property
Yoga, in the contemporary
Yoga as India’s cultural property
Whose yoga? “Not Hindu enough”
Whose yoga? “Too Hindu for school”
Who owns yoga’s copyright?
Yoga and the art of modern transformations
Notes
References

21. Bones, documents and DNA: Cultural property at the margins of the law
Images of recuperation: photographs of the Spanish historical memory movement
Acknowledgements
Notes
Bibliography

22. Collaborative encounters in digital cultural property: Tracing temporal relationships of context and locality
Introduction
Collaborative encounters
Temporality and spirituality in collaboration: The Shalako Film Revisited
Collaborative formations of control and ownership of digital cultural property
Reciprocal and informed sharing of cultural property
Conclusion: The collaborative transit of cultural property
Acknowledgements
Bibliography

23. Animating language: Continuing intergenerational Indigenous language knowledge
Introduction
Importance of learning Indigenous languages
Monash Country Lines Archive strategies for decolonization
Animation language and country
Connecting country and animation
Conclusion
Notes
Bibliography

24. Ancestors for sale in Aotearoa-New Zealand
Privatising the electricity companies
Māori gather to debate the issues
Māori understandings of natural resources
Mighty River Power in New Zealand
Energy-driven relationships with Māori
Kaitiakitanga in the twenty-first century
Conclusion
Notes
Bibliography

Index

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