The King and the Clown in South Indian Myth and Poetry 1st edition by David Dean Shulman ISBN 0691054576 978-0691054575

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ISBN 10: 0691054576

ISBN 13: 978-0691054575

Author: David Dean Shulman

 The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures–Brahmins, courtesans, and the tragic” bandits and warrior-heroes.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The King and the Clown in South Indian Myth and Poetry 1st Table of contents:

• Introduction: Exploring Power and Humor in South Indian Traditions

  • Overview of South Indian Mythology
  • The Symbolism of Kingship and Folly
  • The Role of Poetic and Dramatic Forms

• Chapter 1: The Archetype of the King in South Indian Myth

  • Kingship as Divine Authority
  • The Ideal King in Mythological Narratives
  • Moral and Ethical Dimensions of Kingship

• Chapter 2: The Fool and the Clown in Myth and Literature

  • The Role of the Fool in South Indian Folklore
  • The Clown as a Subversive Figure
  • Humor, Wisdom, and Social Critique

• Chapter 3: The Interaction Between King and Clown in Classical Poetry

  • Poetic Forms: The Kāvya and the Natya
  • Dialogues Between Kings and Fools in South Indian Literature
  • Case Studies: Epic Tales and Dramatic Works

• Chapter 4: The Court Jester and Political Commentary

  • The Fool as an Instrument of Political Commentary
  • Satire and the Relationship Between Court and Society
  • Historical Instances of Clowns as Critiques of Power

• Chapter 5: The Clown as a Moral Teacher: From Folly to Wisdom

  • Philosophical Underpinnings of the Clown’s Wisdom
  • The Transformation of the Fool in Indian Epics
  • Paradoxes and Moral Lessons in the Clown’s Words

• Chapter 6: Kings, Clowns, and the Performance Tradition

  • Theatrical Representations of Kings and Clowns
  • Dance, Drama, and Ritual Performance in South India
  • The Role of the Fool in Temple Rituals and Festivals

• Chapter 7: Interpreting the Duality of Power and Humor

  • The Symbiosis of the King and Clown Archetypes
  • Metaphysical and Psychological Interpretations of the Dual Role
  • Power, Laughter, and the Human Condition

• Chapter 8: The Legacy of King and Clown in Contemporary South Indian Culture

  • The Modern Interpretation of Kingship and Humor
  • The Continued Influence of Mythological Archetypes
  • Clowns and Kings in Modern South Indian Cinema and Literature

• Conclusion: Reassessing the Roles of King and Clown in South Indian Thought

  • The Enduring Symbolism of the King and Clown Figures
  • Reflections on Power, Humor, and Society
  • Contemporary Relevance of Ancient Myths and Poetry

 

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