Performing Digital Multiple Perspectives on a Living Archive 1st Edition by David Carlin, Laurene Vaughan 1472429729 9781472429728
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ISBN 10: 1472429729
ISBN 13: 9781472429728
Author: David Carlin, Laurene Vaughan
Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.
Performing Digital Multiple Perspectives on a Living Archive 1st Table of contents:
What Is or Could Be a ‘Living Archive’? How Might Archives Come to Perform in New Ways and in New Contexts? What Does the Digital Bring to the Performance of the Archive?
The Circus Oz Living Archive Project
Proposing, Making and Using the Living Archive
Conclusion
References
Section I Proposing
Time and Narrative in the Digital Archive On Account of a Circus
The Lure of Dust: The Archive Room
And Now … the Past Will Be With You Shortly: The Living Archive and the Enduring Ephemeral
You Have Been Watching or Have Just Missed … : Accounting for a Circus
Conclusion
References
The Pulse in the Past
Preamble
Whodunits
Animus
‘Life After Wartime’
Endlessness: A Conclusion
References
12 Statements for Archival Flatness
Archives Are
1
2
3
4
A Living Archive
5
6
Not an Archive
7
Flatness
8
9
Flat Virtual Relations
10
11
12
References
Performance, Practice and Presence Design Parameters for the Living Archive
Designing within Contextual Trajectories
Designing for Proposed Socio-Cultural Practice Transformations
Digital Technologies and Possibilities for the Archive
Designing to Be Live or Living
Living Archive as Space of Performance
Designing for Presence, Liveness and Performance
Conclusion
References
Transition 1 Methods
Methods:Prototypes
Methods: Video Flow
Methods: Engagement
Methods: Copyright and Moral Rights
Section II Making
Representing Digital Collections
Engaging with the Archive
Procedural Representations: Search, Browse and Facets
Show Everything: Total Procedural Representations
Openness and Seamfulness: Gaps and Edges in Digital Collections
Conclusions
References
Design of System Architecture for the Circus Oz Living Archive
Introduction
Related Work on Video Annotation
Video Categories of Content and Data Formats
Metadata
Elements of Retrieval
Overall Architecture
Conclusions
References
Designing in the Living Archive Software and Representation
Engaging with the Archive
Livingness
The Content of the Archive
Software As a Material Form
Designing in the Archive
Encourage a Representational Approach through Technical Affordances
Encourage Recontextualisation through ‘Flat Data’
Representing the Archive
A New Livingness
Conclusion
References
Clues for Temporal Segmentation of Circus Videos into Acts
Introduction
Scope of the Collection
Video Characteristics and Segmentation
Lengthy, Single-Shot Recordings
Inconsistent Visual and Auditory Content
Multiple Video Formats
Related Work
Audio-Visual Content-Based Segmentation Techniques in the Circus Oz Living Archive
Black Frames Detection
Image Similarity
Audio Distance
Clapping Sound Detection
Finding the End-of-Act
Conclusion
References
Transition 2 Voices from the Archive
Voices from the Archive: Collections
Voices from the Archive: Stories
Voices from the Archive: In the Circus
Anni Davey
Laurel Frank
Mike Finch
Section III Using
Breathing Life into Research Mediation
Introduction
Inside Multimodal Mediation
Three Projects
Contexts and Projects
Designing with Emergent Technology
Conceptual Design and Innovation in Ship Bridge Development
Social Media, Design and the Networked City
Conclusion
References
Live Performance Research Digitised Circus
Live Arts Research
Circus Research
Online Digital Circus Oz Shows
References
Circus Oz A Reflection
The 1970s–80s: Ground Work – Influences and Establishment
The 1980s/90s: Flying High – Regeneration, Expansion
The 2000s/2010s: A Place in the Circle
References
‘And now, before your very eyes’ The Circus Act and the Archive
Two Orchestral Acts: Play it Higher (1985) and 1812 Overture (2005–06)4
Parodic Personas: The Diva, the Maestro, the Virtuoso and the Clown
Musical ‘Eccentric’ Acts: The Bells, Honkerman and Violin Trio (1996)
The Orchestra Act and the Band Musicians
What is the ‘Act’?
References
Coda
Performing Research in the Creative Arts, Design and Digital Humanities A Dialogue
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