From Tejano to Tango Essays on Latin American Popular Music 1st Edition by Walter Aaron Clark ISBN 0815336403 978-0815336402
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ISBN 10: 0815336403
ISBN 13: 978-0815336402
Author: Walter Aaron Clark
Author of two books on Issac Albeniz, including Issac Albeniz: A Guide to Research (1998), Walter Aaron Clark has compiled thirteen essays that discuss the various aspects of Latin American music. The essays cover the social and political impact the music generated as well as the rhythmic development of the various genres. In this essential book, significant personalities, including Carmen Miranda, are discussed. The scope of the contributors is vast as divergent musical styles such as the Macarena dace craze, Bob Marley’s reggae music and the seductive strains of the tango are analyzed.
From Tejano to Tango Essays on Latin American Popular Music 1st Table of contents:
I Politics and Identity Argentina and Nicaragua
1 The Popularized Gaucho Image as a Source of Argentine Classical Music,1880–1920
The Musical Actors
Urban Transmission
New Performance Contexts
The Professional Payador
The Circus
The Theater
The Urban Perspective of Classical Composers
The Centrality of the Circus and Theater
Expressive Weight of the Milonga
“The Disappearing Gaucho”
The Gauchesca Tradition in Perspective
Notes
References
2 The Tango, Peronism, and Astor Piazzolla during the 1940s and ’50s
The Tango
Peronism
Peronism and Culture
Peronism and the Tango2
Los Muchachos Peronistas
Peronism and the Media
Astor Piazzolla during the Peronist Epoch
The Relationship between Peronism and Piazzolla’s Nuevo Tango
Notes
References
3 Socially Conscious Music Forming the Social Conscience Nicaraguan Música Testimonial and the Creation of a Revolutionary Moment
Some Preliminary Considerations
In the Vernacular
Son Nica
First Steps of Protest
Bringing the Popular into New Contexts
The Popularization of the Radicalized Popular
The Politics of Satire
Musicalizing a Theology of Liberation
A Pre-triunfo Conclusion
Notes
References
4 Rock Chabón The Contemporary National Rock of Argentina
Rock Chabón Defined
Rock Chabón and Populism
Rock Chabón in the History of Rock Nacional
Rock Chabón as the Rock of the Outskirts
Rock Chabón and Rereading History
Notes
References
II Locality and Interlocality North America and Cuba
5 Crossing Borders Mexicana, Tejana, and Chicana Musicians in the United States and Mexico
Mexicana, Tejana, and Chicana Musicians
Lydia Mendoza
Selena Quintanilla
Notes
References
6 A Chicano in a Cuban Band Okan Ise and Songo in Los Angeles
My Musical Background
Songo
Okan Ise
Beginnings
The Cuban Connection
Concert Debut
The Music of Juan Formell
Beginning of the End
Reflections
Notes
References
7 The Bolero Romántico From Cuban Dance to International Popular Song
Spanish and Cuban Origins of the Bolero
The Canción Mexicana
Mexican Appropriation of the Bolero
Época de Oro
The Trío Romántico
Los Panchos
Bolero Poetry and Musical Style
Immediate Followers
Influence Abroad
Baby-boomer Resurgence
Notes
References
8 “Give Your Body Joy, Macarena” Aspects of U.S. Participation in the “Latin” Dance Craze of the 1990s
Macarena Basics
A “Latin” Dance Craze? The Macarena as Latin American
The Inclusive Nature of the Macarena
Simplicity and Ease of Movement
The Ideal of Inclusion and Its Impact on Dance Pedagogy
Expanding the Boundaries of the Dance Floor
“Macarena Madness”: The Temporary Ubiquity of the Macarena
Fever, Craze, Infection: Local Explanations for the Macarena
Negative Responses to the Macarena
Moral Objections to the Macarena
Anti-Macarena Websites
Macarena for All?
Notes
References
III Globalization and Mass Mediation Brazil and Peru
9 Music and Place in the Brazilian Popular Imagination The Interplay of Local and Global in the Mangue Bit Movement of Recife, Pernambuco, Brazil
A History of the Mangue Movement and Nova Cena Musical
Setting the Scene: Recife in the 1980s
Mundo Livre S/A.
Nação Pernambuco.
Chico Science and Nação Zumbi.
The Beginnings of a “New Music Scene”
The Manifesto Mangue
The Consolidation of Recife’s “New Music Scene”
The Recife Scene Loses Its “Greatest Exponent”
Changes in the City
The Interplay of Local and Global inMangue
Notes
References
10 Popular Music and the Global City Huayno, Chicha, andTechno-cumbia in Lima
The Ruralhuayno and the Culture Industry:How Local Became National (1950–1980)
The Advent of the Cumbia in Peruvian Popular Music (1960s–1970s)
Enrique Delgado and Los Destellos
Cumbia Finds the Huayno:Chicha Music in the 1980s
Techno-Culture and the Rise of a New Middle Class (Late 1990s)
Rossy War and the Ascendancy of Techno-cumbia
Local or Mass Culture?
Notes
References
11 Viral Creativity A Memetic Approach to the Music of André Abujamra and Karnak
André Abujamra and Karnak
The Memetic Approach
Memes and Karnak
Notes
References
12 Doing the Samba on Sunset Boulevard Carmen Miranda and the Hollywoodization of Latin American Music
La Pequena Notável
The Gang’s All Here3
Suppression of Negritude
Incongruity of Context and Conflation of Type
Racial and Gender Stereotyping
Stylization and Simplification of Music and Text
Ambassadress of the Samba?
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