The Oxford Handbook of the New Cultural History of Music 1st Edition by Jane Fulcher 019935409X 9780199354092

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ISBN 10: 019935409X

ISBN 13: 9780199354092

Author: Jane F. Fulcher

 As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.

The Oxford Handbook of the New Cultural History of Music 1st Table of contents:

PART I: CULTURAL IDENTITY AND ITS EXPRESSION: CONSTRUCTIONS, PEPRESENTATIONS, AND EXCHANGES

1. Gender, Performativity, and Allusion in Medieval Services for the Consecration of Virgins

2. Music, Violence, and the Stakes of Listening

3. Music and Pain

4. “The Road into the Open”: From Narrative Closure to the Endless Performance of Subjectivity i

5. Understanding Schoenberg as Christ

6. The Strange Landscape of Middles

7. The Genre of National Opera in a European Comparative Perspective

8. Cosmopolitan, National, and Regional Identities in Eighteenth-Century European Musical Life

9. Mendelssohn on the Road: Music, Travel, and the Anglo-German Symbiosis

10. “Shooting the Keys”: Musical Horseplay and High Culture

11. Yvette Guilbert and the Revaluation of the Chanson populaire and Chanson ancienne during the Thi

12. Remembrance of Jazz Past: Sidney Bechet in France

PART II: CULTURAL EXPERIENCE: PRACTICES, APPROPRIATIONS, AND EVALUATONS

13. An Evening at the Opera in Seventeenth-Century Venice

14. Josquin des Prez, Renaissance Historiography, and the Cultures of Print

15. From “the Voice of the Maréchal” to Musique Concrète: Pierre Schaeffer and the Case for Cu

16. A Matter of Style: State Sacrificial Music and Cultural-Political Discourse in Southern Song Chi

17. Ernani Hats: Italian Opera as a Repertoire of Political Symbols during the Risorgimento

18. Modalities of National Identity: Sibelius Builds a First Symphony

19. Beethoven, Napoleon, and Political Romanticism

20. Translating Herder Translating: Cultural Translation and the Making of Modernity

21. The Eye of the Needle: Music as History after the Age of Recording

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