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Emerging Bodies The Performance of Worldmaking in Dance and Choreography 1st Edition by Gabriele Klein, Sandra Noeth 3839415969 9783839415962

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Emerging Bodies The Performance of Worldmaking in Dance and Choreography 1. Aufl. Edition Gabriele Klein (Editor) Digital Instant Download

Author(s): Gabriele Klein (editor); Sandra Noeth (editor); Knowledge Unlatched – KU Select 2016: Backlist Collection (editor)
ISBN(s): 9783839415962, 3839415969
Edition: 1. Aufl.
File Details: PDF, 2.39 MB
Year: 2014
Language: english
SKU: EB-51806628 Category: Tags: , ,

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Product details:

ISBN 10: 3839415969 

ISBN 13: 9783839415962

Author: Gabriele Klein, Sandra Noeth

The concept of »worldmaking« is based on the idea that ›the world‹ is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing ›dance worlds‹: through artistic practice, discourse and media, choreographic form and dance material.
The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral – an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.

Table of contents:

Dancing Politics: Worldmaking in Dance and Choreography

Between Intervention and Utopia: Dance Politics

Dance and Work: The Aesthetic and Political Potential of Dance

The Collective That Isn’t One

Jérôme Bel and Myself: Gender and Intercultural Collaboration

Transnationalism and Contemporary African Dance: Faustin Linyekula

Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums

The Bluff of Contemporary Dance

Transcription – Materiality – Signature. Dancing and Writing between Resistance and Excess

Autobiography and the Coulisses: Narrator, Dancer, Spectator

Dance Images. Dance Films as an Example of the Representation and Production of Movement

Against the Beat. Music, Dance and the Image in Michelangelo Antonioni’s Blow-Up

Gesture Capture: Paradigms in Interactive Music/ Dance Systems

Tables of Weights and Measures: Architecture and the Synchronous Objects Project

Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas

Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds

Situational Worlds. Complicity as a Model of Collaboration

Protocols of Encounter: On Dance Dramaturgy

Notes on Contributors

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