Emotion Oriented Systems 1st Edition by Catherine Pelachaud 1848212585 9781848212589

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ISBN 10: 1848212585 

ISBN 13: 9781848212589

Author: Catherine Pelachaud

The Affective Computing domain, term coined by Rosalind Picard in 1997, gathers several scientific areas such as computer science, cognitive science, psychology, design and art. The humane-machine interaction systems are no longer solely fast and efficient. They aim to offer to users affective experiences: user’s affective state is detected and considered within the interaction; the system displays affective state; it can reason about their implication to achieve a task or resolve a problem. In this book, we have chosen to cover various domains of research in emotion-oriented systems. Our aim is also to highlight the importance to base the computational model on theoretical foundations and on natural data.

Table of contents:

PART 1: FOUNDATIONS

Chapter 1. Contemporary Theories and Concepts in the Psychology of Emotions
Géraldine COPPIN and David SANDER

1.1. Introduction

1.2. Emergence of a scientific approach to emotions

1.3. Basic emotions theories

1.4. Bi-dimensional theories of emotion

1.5. Appraisal theories of emotions

1.6. Conclusion

1.7. Glossary

1.8. Bibliography

Chapter 2. Emotion and the Brain
Andy CHRISTEN and Didier GRANDJEAN

2.1. Introduction

2.2. The major role of affective neuroscience in understanding emotions

2.3. The historical and conceptual legacy of early conceptions of emotions and the brain

2.4. Initial neuro-anatomical emotion theories

2.5. Structures in the brain and their functions in emotional processes

2.6. The prefrontal cortex

2.7. The anterior cingulate cortex

2.8. The role of the insula in disgust

2.9. Temporal dynamic of brain processes in emotional genesis

2.10. Functional connectivity

2.11. Conclusion

2.12. Bibliography

PART 2: NON-VERBAL BEHAVIOR

Chapter 3. Emotional Corpora: from Acquisition to Modeling
Laurence DEVILLERS and Jean-Claude MARTIN

3.1. Introduction

3.2. Building corpora: “acted”, “induced” and real-life emotions

3.3. Current emotional corpora

3.4. Coding schemes

3.5. Complex emotions in spontaneous data

3.6. Applications for corpora

3.7. Conclusion

3.8. Bibliography

Chapter 4. Visual Emotion Recognition: Status and Key Issues
Alice CAPLIER

4.1. Introduction

4.2. What is a facial expression?

4.3. Overview of facial expression recognition methods

4.4. Spontaneous facial expressions

4.5. Expression intensity

4.6. Dynamic analysis

4.7. Multimodality

4.8. Conclusion

4.9. Bibliography

Chapter 5. Recognition of Acoustic Emotion
Chloé CLAVEL and Gaël RICHARD

5.1. Introduction

5.2. Principles of automatic emotion-recognition systems

5.3. Acoustic descriptors

5.4. Automatic emotion classification

5.5. Performance and assessment

5.6. Conclusion

5.7. Bibliography

Chapter 6. Modeling Facial Expressions of Emotions
Sylwia Julia HYNIEWSKA, Rados³aw NIEWIADOMSKI and Catherine PELACHAUD

6.1. Expressive conversational agents

6.2. Expressions and their emotional states

6.3. Computational models for facial expressions of emotions

6.4. Conclusion

6.5. Acknowledgements

6.6. Bibliography

Chapter 7. Emotion Perception and Recognition
Ioana VASILESCU

7.1. Introduction

7.2. Perception in vocal communication of emotion

7.3. Experimental paradigms and emotion-oriented automatic systems

7.4. Conclusion

7.5. Bibliography

PART 3: FUNCTIONS

Chapter 8. The Role of Emotions in Human−Machine Interaction
Valérie MAFFIOLO and Magalie OCHS

8.1. Introduction

8.2. Interactive information and assistance systems

8.3. Video games

8.4. Intelligent tutoring systems (ITS)

8.5. Discussion and research perspectives

8.6. Bibliography

Chapter 9. Music and Emotions
Donald GLOWINSKI and Antonio CAMURRI

9.1. The growing importance of music in society

9.2. Recognizing emotions and structural characteristics in music

9.3. Rules for modeling musical expression of emotions

9.4. Towards a continuous measure of emotional reactions to music

9.5. Multimodality in musical experience

9.6. Multimodal emotional synthesis in a musical context

9.7. The social active listening paradigm: the collective aspect of emotion

9.8. Conclusion and perspectives

9.9. Bibliography

Chapter 10. Literary Feelings in Interactive Fiction
Marc CAVAZZA and David PIZZI

10.1. Introduction: emotions and feelings

10.2. French novels and the representation of feelings

10.3. Madame Bovary: plot and scenes

10.4. Interactive fiction and emotional planning

10.5. Linguistic interaction and emotions

10.6. Emma Bovary’s virtuality

10.7. Conclusion

10.8. Bibliography

Chapter 11. The Design of Emotions: How the Digital is Making Us More Emotional
Annie GENTÈS

11.1. Representing, interpreting and evoking emotions

11.2. Emotion, mimicry and technical devices

11.3. Devices as an alternate source of emotion: photography

11.4. Art and computers: formal beginnings

11.5. The human behind the mechanics and the mechanics behind the human

11.6. Mirror interaction as an emotional vehicle

11.7. Trompe l’oeil versus explicit expression

11.8. Three-dimensional universes: an empathetic experience

11.9. Empathy and identifying emotions

11.10. Making human−machine interaction and dialog effective

11.11. Conclusion: “revenge of the emotions”

11.12. Bibliography

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