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Face to face in Shakespearean Drama Ethics Performance Philosophy 1st Edition by Matthew James Smith, Julia Reinhard Lupton 9781474435680 1474435688

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Face to face in Shakespearean Drama 1st Edition Matthew James Smith Digital Instant Download

Author(s): Matthew James Smith, Julia Reinhard Lupton
ISBN(s): 9781474435680, 1474435688
Edition: 1
File Details: PDF, 6.16 MB
Year: 2019
Language: english
SKU: EB-56858094 Category: Tags: ,

Face to face in Shakespearean Drama Ethics Performance Philosophy 1st Edition by Matthew James Smith, Julia Reinhard Lupton – Ebook PDF Instant Download/Delivery: 9781474435680, 1474435688

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Product details:

ISBN 10: 1474435688

ISBN 13: 9781474435680

Author: Matthew James Smith, Julia Reinhard Lupton

Brings together the rare pairing of philosophical ethics and performance studies in Shakespeare’s playsEngages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel Levinas
This book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb – to face, outface, interface, efface, deface, sur-face – chapters reveal how Shakespeare’s plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them.

Table of contents:

Part I: Foundational Face Work
Chapter 1: Outface and Interface
Chapter 2: ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets
Chapter 3: The Course of Recognition in Cymbeline

Part II: Composing Intimacy and Conflict
Chapter 4: Face to Face, Hand to Hand: Relations of Exchange in Hamlet
Chapter 5: Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark

Part III: Facing Judgement
Chapter 6: The Face of Judgement in Measure for Measure
Chapter 7: Then Face to Face: Timing Trust in Macbeth

Part IV: Moving Pictures
Chapter 8: The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-Portraits
Chapter 9: The Face as Rhetorical Self in Ben Jonson’s Literature
Chapter 10: Hamlet’s Face

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Tags: Matthew James Smith, Julia Reinhard Lupton, face, Performance