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Interdisciplinary Multidisciplinary Woolf 1st Edition by Ann Martin, Kathryn Holland 1942954123 9781942954125

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Interdisciplinary Multidisciplinary Woolf 1st Edition Ann Martin Digital Instant Download

Author(s): Ann Martin; Kathryn Holland
ISBN(s): 9781942954125, 1942954123
Edition: 1
File Details: PDF, 9.78 MB
Year: 2013
Language: english
SKU: EB-51604002 Category: Tags: ,

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Product details:

ISBN 10: 1942954123 

ISBN 13: 9781942954125

Author: Ann Martin; Kathryn Holland

Interdisciplinary/Multidisciplinary Woolf comprises thirty-five essays selected from papers delivered at the 22nd Annual International Conference on Virginia Woolf, hosted by the University of Saskatchewan. Contributors link inter- and multidisciplinary scholarship to the intellectual and creative projects of Woolf and her modernist peers. Essays that identify and extend points of contact between literary studies and varied disciplines are arranged in four thematic sections: “History, Materiality, Multiplicity”; “Patterns, Practices, Principles”; “Art, Influence, Embodiment”; and “Publishing, Politics, Publics.” This collection contains writing by established and emergent scholars, including Susan Brown, Patricia Clements, and Isobel Grundy (editors of Orlando: Women’s Writing in the British Isles, from the Beginnings to the Present); Leslie Kathleen Hankins; Maggie Humm; and Brenda Silver.

Table of contents:

  1. Introduction to Interdisciplinary/Multidisciplinary Woolf

  2. Acknowledgments

  3. List of Abbreviations

  4. History, Materiality, Multiplicity

  5. Multidisciplinary Woolf / Multiple Woolfs?

  6. Woolf, History, Us

  7. “Full of Experiments and Reforms”: Virginia Woolf, John Maynard Keynes, and the Impossibility of Economic Modeling

  8. Desiring Statues and Ambiguous Sexualities in Jacob’s Room

  9. Challenging the Family Script: Woolf, the Stephen Family, and Victorian Evangelical Theology

  10. History as Scaffolding: Woolf’s Use of The Times in The Years

  11. Vincent van Gogh, Virginia Woolf, and Old Shoes: A Cross-Cultural Iconography of Historical Trauma from the Great War to the Iraq War

  12. Stopped at the Border: Virginia Woolf and the Criminalization of Dissent in Democratic Societies

  13. “Q. And babies? A. And babies”: On Pacifism, Visual Trauma, and the Body Heap

  14. Photography, History, and Memoir of the Spanish Civil War: Interdisciplinary Views

  15. Patterns, Practices, Principles

  16. “Waving to Virginia”

  17. Woolf, Defoe, Derrida: Interdisciplinary Dogs—or the Canine Aesthetics and (Gender) Politics of Creativity

  18. “The Law is on the Side of the Normal”: Virginia Woolf as Crip Theorist

  19. A Healing Centre of One’s Own: Woolf’s Legacy and Public Responses to Child Abuse

  20. Sunflower Suture: Disseminating the Garden in The Years

  21. “One Must Be Scientific”: Natural History and Ecology in Mrs. Dalloway

  22. Clarissa’s Glacial Skepticism: John Tyndall and “Deep Time” in Mrs. Dalloway

  23. Apollonian Illusion and Dionysian Truth in Mrs. Dalloway

  24. Art, Influence, Embodiment

  25. “Time Has Whizzed Back an Inch or Two on Its Reel”: Relating Virginia Woolf and Emily Carr through Vintage Postcards, Lily Broscoe, Mrs. McNab, and the Cinematic Time of To the Lighthouse

  26. Speaking Citizen to Citizen in a Time of War: Miss La Trobe’s Use of Parabasis in Her Historical Pageant

  27. Work as Salvation: Eureka’s Angel in the House, A Director’s Experience

  28. Drawing as Thinking: A Visual Response to To the Lighthouse

  29. Performing Feminism, Transmitting Affect: Isadora Duncan, Virginia Woolf, and the Politics of Movement

  30. Virginia Woolf and Clarice Lispector: Thinking Back Through Brazilian Mothers

  31. Mystical Gibberish or Renegade Discourse?: Poetic Language According to Orlando

  32. Selves and Others as Narrative Participants in Woolf’s Novels

  33. Publishing, Politics, Publics

  34. “The Most Unaccountable of Machinery”: The Orlando Project Produces a Textbase of One’s Own

  35. The Hotel at the End of the Universe

  36. Globalization, Interconnectivity, and Anti-Imperialism: Leonard Woolf, the Hogarth Press, and Kenya

  37. Chinese Eyes and Muddled Armenians: The Hogarth Press and British Racial Discourse

  38. “No One Wants Biography”: The Hogarth Press Classifies Orlando

  39. There Goes the Bride: Virginia Woolf, Julia Strachey, and the Hogarth Press

  40. Redefining Woolf for the 1990s: Producing and Promoting the “Definitive Collected Edition”

  41. The Believers: Writers Publishing for Readers, or Preliminary Musings on The Hogarth Press and McSweeney’s

  42. The Woolfs in Print and Online: A University Press in Transition

  43. Notes on Contributors

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Tags: Ann Martin, Kathryn Holland, Interdisciplinary, Multidisciplinary