James Bond in World and Popular Culture The Films are Not Enough 2nd Edition by Robert Weiner, Lynn Whitfield, Jack Becker – Ebook PDF Instant Download/Delivery: 144382867X, 9781443828673
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Product details:
ISBN 10: 144382867X
ISBN 13: 9781443828673
Author: Robert G. Weiner, B. Lynn Whitfield and Jack Becker
Table of contents:
Part I: EXPERIENCING THE WORLD OF BOND
James Bond posters: an art professor’s personal view / Dirk Fowler
Use your joystick, 007: video games and the interactive Bond experience / Kevin D. Impellizeri
All bang bang, no kiss kiss? The Bond figure and video games / Abe Stein and Matthew Weise
James Bond audiography / Kathrin Dodds and Robert G. Weiner
James Bond – a true modernist? / Udo Greinacher
Beyond the spiral barrel: a critical history of dance in the James Bond films / Kristen Hunt
Branding the new Bond: Daniel Craig and designer fashion / Sarah Gilligan
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Part II: THE SOUND OF BOND
007 on the turntable: The Bond music off-screen / Wesley Britton
“He Strikes Like Thun-n-n-nder-r-r-r-BALL-L-L-L-L-L!”: the place of the James Bond theme song / Mark R. McDermott
The melancholy touch: romantic shades of John Barry’s Bond / Karl Madden
Recapturing the Midas touch: a critical reading of the Bond songs’ chart positions / Hubai Gergely
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Part III: GENDER, FEMINISM, AND THE WOMEN OF BOND
“The Bitch is Dead”: Anti-feminist Rhetoric in Casino Royale / Anna Katherine Amacker and Donna Ashley Moore
The feminization of M: gender and authority in the Bond films / Tom L. McNeely
Ian Fleming’s solitaire: the voodoo virgin dethroned / Martha Daas
For his eyes only? men’s magazines and the curse of the Bond girl / Claire Hines
Somebody does it better: competent women in the Bond films / Tom L. McNeely
James Bond and the evolution of the gaze through female spectatorship / Britni Dutz
The masculinity of James Bond: sexism, misogyny, racism, and the female character / Tim Hoxha
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Part IV: THE WORLD OF IAN FLEMING
Ian Fleming and CIA director Allen Dulles: the very best of friends / Christopher Moran
Aleister Crowley, Sidney Reilly, Basil Zaharoff: their influence on the creation of James Bond and his world / Richard B. Spence
Ian Fleming as fictional character / Jack Becker
The Man from U.N.C.L.E.: Ian Fleming’s other spy / Cynthia W. Walker
The Fleming chronicles: the amazing (fictional) exploits of James Bond’s Creator / Brad Frank
“All mixed up”: James Bond’s world of mixing, displacement, and boundary crossing / Lisa M. Dresner
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Part V: COLONIALISM, “BRITISHNESS” AND THE BOND IDENTITY
Defining, re-defining colonial legacies in film: Live and Let Die, The Harder They Come, and the cultural geographies of early 1970s Jamaica / Daniel McClure
Sellers’ 1 1/2: Evelyn Tremble’s celebrity impression of Bond in Casino Royale / Jennifer Swift-Kramer
Ian Fleming’s refashioning of the English gentleman in From Russia, With Love / Robert Cross
The American superhero genes of James Bond / John Shelton Lawrence
The adventures of James Bond Jr., sequential art, and a 12-issue Marvel Comics series / Robert G. Weiner
The men who played James Bond / Roy Pierce-Jones
Making Britain great again: John Gardner, Raymond Benson and the resurrection of a literary Bond / Finn Pollard
The Games Bond plays / Philip McGowan
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Part VI: ROUNDING OUT THE WORLD OF BOND
“The Gay Bond” or “Bond Goes Camping” / Rob Faunce
The James Bond/Woody Allen dialectic / Andrea Siegel
“Mr. Kiss Kiss, Bang Bang”: the effects of geo politics in the 1980s, 1990s and 2000 on the James Bond movies For Your Eyes Only, Goldeneye and Casino Royale / Jack McMorrow
Remixed, not stirred: ripping off/riffing off James Bond in sixities Japan / David Hopkins
A boy and his toys: technology and gadgetry in the James Bond film series / Tanya Nitins
Christian culture, morality, and James Bond / Frank J. Smith
Afterword : “Reflections in a Double Bourbon” / James Chapman
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Tags: Robert Weiner, Lynn Whitfield, Jack Becker, James Bond