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Moving Image Theory Ecological Considerations 1st Edition by Joseph Anderson, Barbara Fisher Anderson, David Bordwell 0809387573 9780809387571

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Moving Image Theory Ecological Considerations 1st Edition Joseph D. Anderson Digital Instant Download

Author(s): Joseph D. Anderson; Barbara Fisher Anderson; David Bordwell
ISBN(s): 9780809387571, 0809387573
Edition: 1
File Details: PDF, 1.67 MB
Year: 2007
Language: english
SKU: EB-51274784 Category: Tags: , ,

Moving Image Theory Ecological Considerations 1st Edition by Joseph Anderson, Barbara Fisher Anderson, David Bordwell – Ebook PDF Instant Download/Delivery: 0809387573, 9780809387571

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Product details:

ISBN 10: 0809387573 

ISBN 13: 9780809387571

Author: Joseph D. Anderson; Barbara Fisher Anderson; David Bordwell

Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions about cinema, Moving Image Theory: Ecological Considerations looks at film through its communication properties rather than its social or political implications. Drawing on the tenets of James J. Gibson’s ecological theory of visual perception, the fifteen essays and forty-one illustrations gathered here by editors Joseph D. Anderson and Barbara Fisher Anderson offer a new understanding of how moving images are seen and understood.
Focusing on a more straightforward perception of the world and cinema in an attempt to move film theory closer to reality, Moving Image Theory proposes that we should first understand how cinema communicates information about the representation of the three-dimensional world through properties of image and sound.

Table of contents:

Part One. Information Available in Moving Images

1.Perceiving Scenes in Film and in the World

2.The Value of Oriented Geometry for Ecological Psychology and Moving Image Art

Part Two. Perception of Simulated Human Motion
3. Creating Realistic Motion
4. Perceiving Human Motion in Synthesized Images

Part Three. Acoustic Events
5. Background Tracks in Recent Cinema
6. Acoustic Specification of Object Properties

Part Four. Information in Facial Expression
7. Three Views of Facial Expression and Its Understanding in the Cinema
8. Facial Motion as a Cue to Identity

Part Five. Coupling of Perception and Emotion
9. Film Lighting and Mood
10. Cinematic Creation of Emotion

Part Six. Appeals of Reality-Based Moving Images
11. Documentary’s Peculiar Appeals
12. Reality Programming: Evolutionary Models of Film and Television Viewership

Part Seven. Events, Symbols, and Metaphors
13. Through Alice’s Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality
14. Metaphors in Movies

 

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Tags: Joseph Anderson, Barbara Fisher Anderson, David Bordwell, Image