Music as concept and practice in the Late Middle Ages 1st edition by Reinhard Strohm, Bonnie Blackburn ISBN 0198162057  978-0198162056

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Product details:

ISBN 10: ‎ 0198162057

ISBN 13: 978-0198162056

Author: Reinhard Strohm, Bonnie Blackburn 

 This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.

Music as concept and practice in the Late Middle Ages 1st Table of contents:

• Introduction: Understanding Music in the Late Middle Ages

  • Defining Medieval Music
  • Historical and Cultural Contexts
  • The Role of Music in Medieval Society

• Chapter 1: Theoretical Foundations of Medieval Music

  • Ancient and Early Medieval Music Theory
  • The Concept of Music as a Mathematical Art
  • The Influence of Boethius and Other Theorists

• Chapter 2: The Rise of Polyphony and Musical Practice

  • Gregorian Chant and Its Evolution
  • Early Polyphony and Organum
  • The Development of Choral Techniques

• Chapter 3: Musical Institutions and Patrons

  • Monasteries, Cathedrals, and Courts
  • The Role of Clergy and Nobility in Music Patronage
  • Music as a Social and Religious Practice

• Chapter 4: The Music of the Court and Secular Traditions

  • Troubadours, Minstrels, and Secular Song
  • The Rise of Secular Polyphony
  • Courtly Love and the Role of Music in Medieval Culture

• Chapter 5: The Liturgical Context and Sacred Music

  • The Mass and Divine Office
  • Music in the Context of Ritual and Worship
  • The Relationship Between Text and Music in Liturgical Settings

• Chapter 6: Instrumental Music in the Late Middle Ages

  • The Development of Instruments: From the Organ to the Lute
  • Instrumental Music in Courtly and Popular Traditions
  • The Interaction Between Vocal and Instrumental Music

• Chapter 7: Music in the Intellectual and Artistic Discourses

  • Music and Philosophy in the Late Middle Ages
  • The Influence of Medieval Scholasticism on Musical Thought
  • Music as a Reflection of the Cosmos and Divine Order

• Chapter 8: Manuscripts, Notation, and the Transmission of Music

  • The Development of Musical Notation
  • Music in Manuscripts and Early Printed Editions
  • The Role of Scribes and Composers in Preserving Music

• Chapter 9: Music as Concept: Symbolism and Meaning

  • Music as a Symbol of Divine Order
  • The Concept of Harmony and Its Philosophical Significance
  • Music and the Emotions in Medieval Thought

• Conclusion: Legacy of Late Medieval Music

  • The Transition to the Renaissance
  • The Enduring Influence of Medieval Music on Later Traditions

 

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Reinhard Strohm,Bonnie Blackburn,Late Middle,Music as concept