Music for Sight Singing 9th Edition by Nancy Rogers, Robert Ottman 9780205939688 0205939686

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Product details:

ISBN 10: 0205939686

ISBN 13: 9780205939688

Author: Nancy Rogers, Robert W. Ottman

Music for Sight Singing is structured around organized melodiesdrawn from the literature of composed music and a wide range of the world’s folk music. Real music exercises allow readers to practice sight singing and develop their “mind’s ear” – the ability to imagine how music sounds without first playing it on an instrument.

The ninth edition continues to introduce a host of important musical considerations beyond pitch and rhythm- including dynamics, accents, articulations, slurs, repeat signs, and tempo markings. The book’s arrangement of simple to complex exercises lays the foundations for success.

Table of contents:

Part I

Chapter 1 – RHYTHM: Simple Meters; The Beat and Its Division into Two Parts
Chapter 2 – MELODY: Stepwise Melodies, Major Keys; RHYTHM: Simple Meters; The Beat and Its Division into Two Parts
Chapter 3 – MELODY: Leaps within the Tonic Triad, Major Keys; RHYTHM: Simple Meters
Chapter 4 – MELODY: Leaps within the Tonic Triad, Major Keys; RHYTHM: Compound Meters; The Beat and Its Division into Three Parts
Chapter 5 – MELODY: Minor Keys; Leaps within the Tonic Triad; RHYTHM: Simple and Compound Meters
Chapter 6 – MELODY: Leaps within the Dominant Triad (V); Major and Minor Keys; RHYTHM: Simple and Compound Meters
Chapter 7 – THE C CLEFS: Alto and Tenor Clefs
Chapter 8 – MELODY: Further Use of Diatonic Leaps; RHYTHM: Simple and Compound Meters
Chapter 9 – MELODY: Leaps within the Dominant Seventh Chord (V7); Other Diatonic Seventh Leaps; RHYTHM: Simple and Compound Meters

Part II

Chapter 10 – RHYTHM: The Subdivision of the Beat: The Simple Beat into Four Parts, The Compound Beat into Six Parts
Chapter 11 – MELODY: Leaps within the Tonic and Dominant Triads; RHYTHM: Subdivision in Simple and Compound Meters
Chapter 12 – MELODY: Further Use of Diatonic Leaps; RHYTHM: Subdivision in Simple and Compound Meters

Part III

Chapter 13 – RHYTHM and MELODY: Syncopation
Chapter 14 – RHYTHM and MELODY: Triplet Division of Undotted Note Values; Duplet Division of Dotted Note Values
Chapter 15 – MELODY: Chromaticism (I): Chromatic Embellishing Tones; Tonicizing the Dominant; Modulation to the Key of the Dominant or the Relative Major
Chapter 16 – MELODY: Chromaticism (II): Tonicization of Any Diatonic Triad; Modulation to Any Closely Related Key
Chapter 17 – RHYTHM and MELODY: Changing Meter Signatures; The Hemiola; Less Common Meter Signatures
Chapter 18 – RHYTHM and MELODY: Further Subdivision of the Beat; Notation in Slow Tempi
Chapter 19 – MELODY: Chromaticism (II): Additional Uses of Chromatic Tones; Remote Modulation

Part IV

Chapter 20 – MELODY: The Diatonic Modes
Chapter 21 – RHYTHM AND MELODY: The Twentieth and Twenty-First Centuries

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Tags: Nancy Rogers, Robert Ottman, Music, Singing