Revelation of modernism responses to cultural crises in fin de sie cle painting 1st Edition by Albert Boime ISBN 0826266258 9780826266255

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ISBN 10: 0826266258 
ISBN 13: 9780826266255
Author:  Albert Boime

Among postimpressionist painters, Van Gogh, Seurat, Cézanne, and Gauguin produced a remarkable body of work that responded to a cultural and spiritual crisis in the avant-garde world—influences that pushed them toward an increasing reliance on science, literature, and occultism. In Revelation of Modernism, renowned art historian Albert Boime reappraises specific works by these masters from a perspective more appreciative of the individuals’ inner conflicts, offering the art world a new understanding of a period fraught with apocalyptic fears and existential anxieties.

Building on the seminal observations of Sven Lövgren from a half-century ago, Boime rejects popular notions of “art for art’s sake” and rethinks an entire movement to suggest that history, rather than expressive urge, is the driving force that shapes art. He reconsiders familiar masterpieces from a fresh perspective, situating the art in the contexts of history both real and speculative, of contemporary philosophy, and of science to depict modernism as a development that ultimately failed.

Boime expands on what we think we know about these figures and produces startling new revelations about their work. From the political history of Seurat’s Parade de cirque to the astronomical foundations of Van Gogh’s Starry Night, he draws analogies between literary sources and social, personal, and political strategies that have eluded most art historians. He offers a richer and more complex vision of Cézanne, considering the artist as an Old Testament figure in search of the Promised Landscape. And he provides a particularly detailed look at Gauguin—on whom Boime has never previously published—that takes a closer look at the artist’s The Vision after the Sermon and its allusions to Eliphas Lévi’s writings, sheds light on the sources for From whence do we come? and offers new thoughts about Gauguin’s various self-portraits.

Boime’s latest contribution further testifies to his status as one of our most important living art historians. As entertaining as it is eloquent, Revelation of Modernism is a bold and groundbreaking work that should be required reading for all who wish to understand the contradictory origins and development of modernism and its role in history.

Revelation of modernism responses to cultural crises in fin de sie cle painting 1st Table of contents:

While an exact page-by-page table of contents for Albert Boime’s “Revelation of Modernism: Responses to Cultural Crises in Fin-de-Siècle Painting” (University of Missouri Press, 2008) is not readily available in public search results, we can infer a very strong and standard structure based on academic publishing norms and what is known about the book’s content.

Given Boime’s approach and the specific artists/works he analyzes, a probable table of contents would look something like this:

Revelation of Modernism: Responses to Cultural Crises in Fin-de-Siècle Painting By Albert Boime

• Chapter 1: Vincent van Gogh and the Celestial Revelation

  • The Starry Night Reconsidered: Beyond Madness
  • Popular Astronomy and Scientific Exactitude in Van Gogh’s Work
  • Cartography, Colonialism, and the Idealized Landscape
  • Connecting Van Gogh’s Vision to Contemporary Knowledge

• Chapter 2: Georges Seurat and the Political Spectacle

  • La Parade de cirque as Social Commentary
  • The Boulanger Affair and its Political “Sideshow”
  • Reading Allegory in Seurat’s Figures and Composition
  • Caricature, Popular Song, and the Failure of Populism

• Chapter 3: Paul Cézanne and the Utopia of Property

  • The Seclusion of Cézanne’s Landscapes
  • The Absence of Narrated Access: Closed Gates and Impassable Roads
  • Bourgeois Aspirations and the Symbolism of Private Estates
  • Cézanne’s Formal Innovations in Context

• Chapter 4: Paul Gauguin and the Quest for the “Primitive”

  • D’où venons-nous? Que sommes-nous? Où allons-nous? and its Mystic Roots
  • Eliphas Lévi and Occult Iconography in Gauguin’s Masterpiece
  • Gauguin’s Contradictions: Religion, Society, and Politics
  • Colonialism, Racism, and the “Noble Savage” Myth in Gauguin’s Art

• Conclusion: The Legacy of Fin-de-Siècle Modernism

  • Revisiting the “Failure” of Modernist Aspirations
  • The Interplay of Art, Science, and Occultism
  • The Uncomfortable Truths: Prejudice and Colonialism in the Avant-Garde
  • Boime’s Enduring Critique of Art Historical Narratives

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