Special makeup effects for stage and screen making and applying prosthetics 2nd Edition by Todd Debreceni ISBN 0240816978 9780240816975

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Product details:

ISBN 10: 0240816978 
ISBN 13: 9780240816975
Author: Todd Debreceni

This book is a comprehensive guide for aspiring and professional makeup artists, covering the entire process of creating and applying prosthetic makeup for film, television, and theatre. The 2nd edition includes updated techniques, materials, and insights into the evolving industry.

Special makeup effects for stage and screen making and applying prosthetics 2nd Table of contents:

• Chapter 1: The Industry

  • Key Points
  • Introduction
  • Stage vs. Screen
  • Contributions from Medicine
  • The Workspace
  • Safety and Health
  • Professionalism
  • Your Portfolio
  • Your Kit
  • Chapter Summary
  • Notes

• Chapter 2: Anatomy and Design

  • Key Points
  • Introduction
  • Using the Computer
  • Elements of the Design
  • Body Types
  • The Human Body (Skeletal System, Skeleto-Muscular System)

  • The Head and Neck
  • The Face
  • The Torso and Upper Limbs
  • The Abdomen and Lower Limbs
  • Surface Anatomy
  • The Eyes, Ears, and Nose (detailed sections on each)

  • The Mouth
  • The Skin (Stretch Marks, Age Spots, Freckles and Moles, Varicose Veins and Spider Veins, Birthmarks, Hair, Scars)
  • Symmetry and Proportion (Anatomical Planes, Facial Ratios and Phi, Ratios and Body Proportions)
  • Geometric Analysis

  • Distinctions of Gender, Age, and Ancestry (Facial Aging)

  • Chapter Summary
  • Notes

• Chapter 3: Lifecasting

  • Key Points
  • Introduction
  • Safety Risks
  • The Materials (Alginate, Silicone)
  • The Lifecasting Process (Overview, Teeth, Face and Neck, Casting a Positive, Bust: Head and Shoulders, Hands, Arms, Legs, Feet, and Ears,

  • Chapter Summary
  • Notes

• Chapter 4: Sculpting the Makeup

  • Key Points
  • Introduction
  • Materials (Tools, Clay types: Sulfur Clay, WED Clay, Oil Clay)
  • Preparing the Positive
  • Reference Photos
  • Sculpting the Face, Head, and Neck (Blocking, Refining)
  • Sculpting Hands (Blocking)
  • Sculpting the Ears (Blocking)
  • Chapter Summary
  • Notes

• Chapter 5: Breaking Down the Sculpture

  • Key Points
  • Introduction
  • Tools and Materials
  • Release Agents and Sealers
  • Making the Negative Mold

  • Keys, Flashing, and Cutting Edges

  • Building the Dividing Wall (different styles)

  • Silicone Rubber Molds
  • Matrix Molds/Jacket Molds (Fiberglass Molds, Resin Molds, Epoxy Molds, Syntactic Dough, Urethane Molds)
  • Collapsible Core Molds
  • Chapter Summary

• Chapter 6: Casting the Appliances

  • Key Points
  • Introduction
  • Silicone: Platinum and Tin (Coloration, Color Theory, Materials, De-Airing/Degassing, Gel-Filled Silicone Appliances)

  • Filling the Mold (Injection Filling, Hand Filling)
  • Removing the Appliance
  • Conforming Molds
  • Foam Latex (Quirks, Running Foam, Prepping the Mold, Filling the Mold, Heat-Curing Foam, Removing the Appliance)

  • Cold Foam (Urethane) Materials (Quirks, Prepping the Mold, Filling the Mold, Removing the Appliance)
  • Gelatin and Foamed Gelatin (Materials, Quirks, Making Foamed Gelatin, Filling the Mold, Removing the Appliance)
  • Dental Acrylic (Materials, Filling the Mold, Removing the Appliance)

  • Seaming and Painting Prosthetic Appliances (Seaming and Patching for Silicone, Foam Latex, Gelatin; Painting for Silicone, Foam Latex, Gelatin, Cold Foam)
  • Chapter Summary

• Chapter 7: Applying the Makeup Appliance

  • Key Points
  • Introduction
  • Skin Types
  • Adhesives
  • Application Techniques (Attaching the Appliance, Blending the Edges)
  • Applying the Makeup (for different materials: Foam Latex, Gelatin, Cold Foam, Silicone)
  • Removing the Appliance (Materials, Removers, Technique)
  • Skin Care
  • Cleaning and Storing the Appliance
  • Chapter Summary

• Chapter 8: Hair and Wigs

  • Key Points
  • Introduction
  • Types and Varieties of Hair
  • Tools and Materials for Postiche
  • Wigs (Weft Wigs, Knotted Wigs, Hair Attachment, Preparation, How to Put on a Wig, How to Put on a Lace Wig)

  • Beards, Mustaches, and Eyebrows (Laid-On Facial Hair, Crepe Wool, Application)
  • Ventilating (Knotting) Hair (Preparation, Technique)
  • Punching Hair (Technique, Eyelashes)
  • Chapter Summary
  • Notes

• Chapter 9: The Business of Makeup Effects

  • (This chapter often covers aspects like building a portfolio, marketing yourself, pricing, contracts, and working on set/in a shop.)
  • Note: Some online TOCs indicate Chapter 9 is “Out-Of-Kit and Other Makeup Effects,” but based on the overall structure and a more detailed TOC from one source, it’s likely the business aspect. (If this is the case, the content from my hypothetical Chapter 9 would be integrated into Chapter 10 “Other Makeup Effects”.)

• Chapter 10: Other Makeup Effects

  • Key Points
  • Introduction
  • Resin Eyes
  • Bondo
  • Cap Material (Bald Caps: Making and Applying)
  • Building up Ears and Nose
  • Tuplast
  • Nose and Scar Wax
  • Rigid Collodion
  • Stencils
  • Tattoos and Character/Creature Textures
  • Airbrush (Techniques, HD considerations)
  • Spatter and Stipple
  • 3D Prosthetic Transfers (Making Transfers, Materials)
  • Electrostatic Flocking
  • Wrinkle (Age) Stipple
  • Trauma, Wounds, and Bruises (Bruises, The Baseball Stitch, Nosebleed on Demand, Bladder Effects)
  • Burns and Blisters

  • Other Conditions
  • Specialty Contact Lenses
  • Animatronics (Brief overview of integration)
  • Chapter Summary

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Tags: Todd Debreceni, Special, makeup