Thinking about Exhibitions 1st Edition by Reesa Greenberg 0415115892 9780415115896

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ISBN 10: 0415115892
ISBN 13: 9780415115896
Author: Reesa Greenberg

An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.

Thinking about Exhibitions 1st Table of contents:

PART I: THE FUTURE OF HISTORY
1. THE MUSEUM AND THE ‘AHISTORICAL’ EXHIBITION: THE LATEST GIMMICK BY THE ARBITERS OF TASTE, OR AN IMPORTANT CULTURAL PHENOMENON?
INTRODUCTION
MUSEUM HISTORY AS TOOL-SHED
CONCLUSION
NOTES
2. BROKERING IDENTITIES: ART CURATORS AND THE POLITICS OF CULTURAL REPRESENTATION
ARTISTIC ARBITERS OR CULTURAL BROKERS?
THE CULTURAL-IDENTITIES MARKET: LATIN AMERICAN OR LATINO?
MAINSTREAMING IDENTITIES
CONCLUSIONS: FOR A RENEWAL OF CURATORIAL PRACTICES
NOTES
3. LARGE EXHIBITIONS: A SKETCH OF A TYPOLOGY
WRITING HISTORY
ENUNCIATING PROJECTS AND THEIR AESTHETIC VALUES
SYMBOLIC FUNCTION
NOTES
4. FOR EXAMPLE, DOCUMENTA, OR, HOW IS ART HISTORY PRODUCED?
CONSPIRACY THEORY
SELECTION
STAGING
HISTORICIZING
CHANGING THE HEROES
POSTSCRIPTUM
PART II: STAGING SPECTATORS
5. THE EXHIBITIONARY COMPLEX
DISCIPLINE, SURVEILLANCE, SPECTACLE
SEEING THINGS
THE EXHIBITIONARY DISCIPLINES
THE EXHIBITIONARY APPARATUSES
CONCLUSION
NOTES
6. THE MUSEUM FLAT
SUMMER SOLSTICE
THE MUSEUM: ROOM FOR A PIECE
ST. ELSEWHERE, INSTALLATION METROPOLIS
THE MODEL FLANEUR
NOTES
7. NAMING NAMES: THE ART OF MEMORY AND THE NAMES PROJECT AIDS QUILT
NOTES
PART III: GRAMMATIC ACTS
8. LES IMMATÉRIAUX
PRESENTATION
CONCEPTION
SETTING IN SPACE-TIME
MATERIAL SITES=SUPPORT
MATERIAL SITES=PROPAGATION, COLLECTION, RESTITUTION
MATERIAL SITE=ORIGIN, AUTHOR
MATERIAL SITES=REFERENT
MATERIAL SITES=CODE
NOTES
9. EXHIBITION RHETORICS: MATERIAL SPEECH AND UTTER SENSE
NOTES
10. CREATING SPACES
GERALD McMASTER: AN INTERVIEW
NOTES
11. THE DISCOURSE OF THE MUSEUM
THE NEW MUSEOLOGY?
ETHNOGRAPHIC VERSUS ART MUSEUMS?
RHETORIC, NARRATOLOGY, AND MUSEUMS
A REAL ALLEGORY OF HYPERFRAMES
CONCLUSION
NOTES
REFERENCES
PART IV: CURATORS OR CATERERS
12. THE GREAT CURATORIAL DIM-OUT
NOTES
13. FROM MUSEUM CURATOR TO EXHIBITION AUTEUR: INVENTING A SINGULAR POSITION
OCCUPATIONAL HAZARDS AND DEPERSONALIZATION OF THE POST
NEW FUNCTIONS, NEW POSITIONS
FROM CURATOR TO CREATOR
A COMPARATIVE TERM: THE AUTEUR IN THE CINEMA
A CASE STUDY: THE VIENNA EXHIBITION AT THE BEAUBOURG
FROM THE PARTICULAR CASE TO THE PARTICULARIZATION OF STATUS
NOTES
14. CONSTRUCTING THE SPECTACLE OF CULTURE IN MUSEUMS
NOTE
15. THE SHOW YOU LOVE TO HATE: A PSYCHOLOGY OF THE MEGA-EXHIBITION
NOTE
16. FREE FALL—FREEZE FRAME: AFRICA, EXHIBITIONS, ARTISTS
NOTES
PART V: SPATIAL PLAY
17. THE ONE-PICTURE GALLERY
NOTES
18. DISSENTING SPACES
NOTE
19. FUNCTION OF ARCHITECTURE: NOTES ON WORK IN CONNECTION WITH THE PLACES WHERE IT IS INSTALLED TAKEN BETWEEN 1967 AND 1975, SOME OF WHICH ARE SPECIALLY SUMMARIZED HERE
SINCE THE RENAISSANCE
THE HISTORY STILL TO BE MADE SHOWS ITSELF
A BIT OF BREAD
DESTRUCTION, EXISTENCE, FRAGMENT
RADICALLY, DIALECTICALLY
IT IS NOT A MATTER OF CREATING ONE’S OWN MUSEUM
TENSION-CRISIS
THE NARCISSISTIC DISCOURSE
THE CUBE. WHITE. IDEALISM
ALIENATION
A SPIDER’S WEB
CYNICAL, IGNORANT
WITHOUT AN ESCAPE ROUTE
THE ARCHITECTURE
FUNDAMENTAL DIFFERENCE
BOURGEOIS ART ‘FREELY’
SUBVERSION
THE OVERBEARING MOTHER
HOLES IN THE ARCHITECTURE
THE TOWN
ARCHITECTURE AS THE ACT OF MAN
NOTE
20. THE GALLERY AS A GESTURE
NOTE
21. POSTMODERNISM’S MUSEUM WITHOUT WALLS
NOTES
22. THE EXHIBITED REDISTRIBUTED: A CASE FOR REASSESSING SPACE
“HOMES” FOR ART
UPSTAIRS/DOWNSTAIRS
UPTOWN/DOWNTOWN
MANUFACTURING MUSEUMS
NOTES
PART VI: THE EXHIBITION CONDITION
23. A VISUAL MACHINE: ART INSTALLATION AND ITS MODERN ARCHETYPES
NOTES
24. THE INSTITUTIONALIZATION OF DISSENT
ALTERITY
POLITICS
EXPERIMENT
SPACE
SELECTION
PLACE
ECONOMY
ALTERNATIVES
NOTES
25. MODERNISM, NATIONALISM AND BEYOND: A CRITICAL HISTORY OF EXHIBITIONS OF FIRST NATIONS ART
EXHIBITION OF CANADIAN WEST COAST ART: NATIVE AND MODERN
INDIAN ART OF THE UNITED STATES
MASTERPIECES OF INDIAN AND ESKIMO ART FROM CANADA
NEW DISCOURSES IN FIRST NATIONS ART
NOTES
26. IN AND OUT OF PLACE
NOTES
27. WHAT’S IMPORTANT ABOUT THE HISTORY OF MODERN ART EXHIBITIONS?
ARTISTIC PUBLIC SPHERES?
EXHIBITION AS REPRESENTATION
VIEWERS IN THE EXHIBITION’S IMAGE?
IMPACT ON ARTISTIC PRODUCTION

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